Written in broad strokes as opposed to careful calligraphy, however, she’s hardly a quintessential Flynn heroine. It’s his first proper television gig, and he is by far the most recognisable name on the call-sheet, but it’s American Honey actor Sasha Lane who plays the protagonist, Jessica Hyde. Speaking of the opening credits, despite appearing in what can charitably be described as a recurring role, Cusack has been given top-billing. Fincher’s depraved sensibilities would’ve been perfectly suited for this material, and one can only imagine what it would’ve been like to see his name on the stylish opening credits sequence. ![]() ![]() But budgetary disputes forced the filmmaker to drop out. Utopia was previously set up by Flynn and David Fincher at HBO, hot off their blockbuster collaboration on Gone Girl. Stay tuned with breaking news on HT Channel on Facebook. This isn’t to say that Toby Haynes, Susanna Fogel and the others have done a poor job, but when you consider what we almost had, you’d feel just as disappointed as well. But Utopia was positively begging for a sole directorial voice. And that’s unfortunate, considering what Utopia could have been.įlynn, the writer of Gone Girl and Sharp Objects, who serves as showrunner here, sure knows how to construct a compelling yarn. And with Amazon once again looking to release episodes in a staggered manner, as opposed to dumping them all in one go, it’ll be weeks before I’m able to watch the finale. ![]() In fact, only seven episodes (of nine) were provided for preview. I am not allowed to discuss specifics - Amazon’s list of plot points that cannot be broached rivals the ones I received for Stranger Things and Black Mirror - but be warned: there are scenes that push the boundaries of bad taste. And while the images are comparatively unremarkable - the UK Utopia was a visually stunning piece of television - the violence is just as visceral. The show is steeped in genre storytelling, often times resembling a comic book itself.Ī great many changes have been made, immediately setting it apart from the British original. While some conspiracies are harmless - for instance, no one cares if Tom Cruise worships Xenu - others have real-world consequences.īut Utopia never pretends to be a documentary, or even as realistic as something like, say, Steven Soderbergh’s Contagion. Although it’s interesting to observe how, in the span of just a few years, the pendulum has swung from audiences perceiving fast wealth as aspirational, to now being suspicious of it.Įven though Cusack’s character - Dr Kevin Christie - is an American, I’m worried that Utopia might play into the Trumpsters’ narrative that the Covid-19 virus was manufactured in a Chinese laboratory. Every night at the dinner table, he asks his family the same question: “What have you done today to earn your place in this crowded world?” Cusack brings a quiet menace to his performance that is far too subtle for the show, which is shrill to a fault. It’s a disconcerting experience, for sure.īut while the UK original featured a faceless organisation as the ‘villain’, the US remake, like most US remakes, simplifies things, by casting John Cusack as the ‘pharma-bro’ antagonist. In fact, the show, in many ways, is as prescient as the fictional comic book that everyone in it seems to be after. With a central plot that involves a shady pharma company, major infection hotspots, and the looming threat of a large-scale outbreak, I won’t deny that I got the heebie-jeebies drawing parallels to the ongoing pandemic. Meanwhile, a shadowy organisation known as The Harvest, also looking to get its hands on the precious manuscript, is hot on their heels. They’re convinced of this because the book’s precursor seemingly predicted major tragedies such as the SARS and MERS epidemics. ![]() Based on the cult UK series of the same name, Utopia is a conspiracy thriller about a group of nerds who band together to locate a comic book manuscript that they believe contains information about future pandemics.
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